Showing posts with label Devi. Show all posts

Aug 25, 2026

Jun 12, 2026

Apr 19, 2026

Kamakshi and Mahaperiva

10-04-26 | Utsav , Devi , Guru and Devotee

Sri Rama Jayam
Guru Sharanam

Srimathi Padma Vaidyanathan, is an Upasaka of Sri Raghavendra and Sri Mahaperiyava. They keep speaking to her in order to bless many devotees.

A few weeks back, the Paramacharya (Thatha, as she addresses him) she was asked to get a picture of Sri Kamakshi, clad in a green saree. Immediately, Smt. Padma Vaidyanathan tried to fetch such a Kamakshi and tried many shops. She could not get what she wanted. She left it to Periyava to find a solution.

Sri Gurunatha blessed her and suggested the form of a grand Kamakshi akin to an Ai interpretation. Now her task was to translate the image into a full-fledged painting.

At this moment, a friend of Smt Padma Amma, Smt Veena (also a devotee Sri Thatha), suggested that her friend’s husband was an artist for a popular magazine and he can be approached.

Immediately, both Smt Padma Amma and Smt Veena, approached the artist with the specific request. He accepted to paint Kamashi ambaL considering it a blessing and began immediately on an auspicious date and time fixed by Sri Thatha.

But the form of AmbaL was elusive. Each time a preview was shown (through WhatsApp) there were corrections suggested by Thatha. And some additions, like Amba should be seated on a SriChakra. He mentioned some flaws in the proportions and the ornaments. He also pointed out geometrical errors in the Srichakra. The painting was stuck for some time. Even after repeated attempts and corrections, the painting of AmbaL was quite elusive for the artist. The errors never seemed to end.

He never had felt such a predicament anytime in his career as an artist. But he realized he lacked something.

He felt so diffident and he felt everything about his career was at stake. Can he continue?

This mood was conveyed to Smt Padma Amma. Sri Thatha asked Smt Padma Amma to approach the artist and bless his brushes and colors, after placing it in Periyava’s feet. Smt Padma immediately did so. But despite this, there seemed to be a problem. This time, Sri Thatha asked why the artist has not prayed to MahaGanapathy before commencing the work. It was because of that, it was not progressing well. This was also done by the artist, albeit half-hearted. He resumed painting with inspiration.

It was then the magic began to evolve on the canvas. There was this beautiful song, “Srichakraraja simhasaneshwari..” the lyrics which mirrored the subject, kept repeating in his mind while he painted. He felt as though his hands were being guided by Periyava himself. Then day by day, the painting progressed. Each day the development of the work was shared with Smt Padma Amma for suggestions or any detail which may be missing. Periyava’s face had to be bright and beaming. His face shifted a bit, for proportional reasons. Perhaps, the artist thought, Periyava did not want his face obstructing the SriChakra. Once the face of Ambal and Mahaperiyava in the painting was cleared, the rest of the painting fell in place. In due course, The painting was complete. The artist felt it was not done by a human hand. It was Sri Raghavendra swamy and Sri Mahaperiyava who created the entire work, teaching the nuances of painting and guiding the artist at every moment. The artist felt he was just an instrument - and what a blessing it was.

When the word of completion was communicated to Smt. Padma Amma, she sent the work to SriVidya upasaka Sri Prabhu Sarma. He said it was ‘adbhutam’. Then only it was decided to take the painting to Sri Thatha’s home. With Thatha’s complete blessing, it was installed in Thatha’s sannidhanam on a Thursday, 16th April 2026. Smt Padma Amma thought of Akshaya trithiya, as the most appropriate date for this, but was surprised in the change in date. But, Sri Krishna Prasad achar quoted mantras which said that Kamakshi Ambal’s prathishta was consecrated on a chaturdasi only, and prayed to Her. Then it was crystal clear. All that happened was a wonderful and divine episode in this kaliyuga, which was orchestrated by Mantralaya Mahaprabhu Sri Raghavendra Swami and Sri Kanchi mahaperiyava together.

————
With
Smt. Padma Vaidyanathan, Smt. Veena
And written by Sri Mannai Narayanan, an astrologer and devotee of Thatha and Mahaperiyava.
Your’s truly, is the artist.
Periyava sharanam.
___

Feb 15, 2026

Shiva and Parvati seated on Nandi

Wishing all a very blessed and blissful Mahashivarathri

Jan 31, 2026

Shree

Jan 4, 2026

Tiruppavai 20

04-01-26 | Gajendra , Bhaghavata , Gopika , Tiruppavai , Devi

Andal’s efforts to wake up Devi and Krishna resulted in silence.

She thought again.

She tries to wake up Krishna first.

“O’ Lord! Krishna! You should protect us even before harm comes our way, just as you prevent the trembling of the thirty three devas* due to fear of their enemies.

“O’ valorous one! You are upright towards those who seek refuge in you. O’ Pure one! You have equanimity towards all, but cannot tolerate any ill-treatment towards your devotees.” (Gajendra and Prahlada)

No response. Andal understands that one has to approach Krishna only through Devi’s intercession.

She addresses Nappinnai:

“O’ beautiful and elegant lady! O’ Mahalakshmi!! Wake up! Give us the fan and a mirror, required to serve Krishna.

“Also wake up your dear husband Krishna! Help us perform our vow related ceremonial bath and bless us with eternal servitude.”

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*(The eight Vasus, eleven Rudhras , twelve Adhithyas
and the two Asvini devathas)